Time passes time moves
time flies right by
time to rise time to fall
time to live time to die
Time to die moving on
to the next escapade
I must be a lucky star
got it all got it made
could it be that the end
of the melody
is not the point at all
Yet if there were no end
to the melody
I’d never have heard the call
You can read an explanation of the origin of these lyrics here
Don't need fortune fame respect or speed.
All writings © Jonathan Mark Hamlow 1998-2025
Friday, January 08, 2010
Thursday, January 07, 2010
637 : 1/7/00 : True Friends (Flesh and Bones: An Homage 84/101)
If I could lay me down to sleep
I’d pray for God my friends to keep
And should I die I hope that
You won’t cut the strings of your harp
True friends are few and far between
I know how lucky I have been
To find so many who would
listen to me rant and carp
I’ve sung a song bitter and black
I’m trying to work my way back
without my friends I’d wither up
a branch cut from the vine
it’s eerie when love cuts the strings
a taste of what tomorrow brings
sends a shiver up my spine
You can read an explanation of the origin of these lyrics here
I’d pray for God my friends to keep
And should I die I hope that
You won’t cut the strings of your harp
True friends are few and far between
I know how lucky I have been
To find so many who would
listen to me rant and carp
I’ve sung a song bitter and black
I’m trying to work my way back
without my friends I’d wither up
a branch cut from the vine
it’s eerie when love cuts the strings
a taste of what tomorrow brings
sends a shiver up my spine
You can read an explanation of the origin of these lyrics here
Wednesday, January 06, 2010
636 : 1/6/00 : No Work No Food (Flesh and Bones: An Homage 83/101)
No Work No Food
uh huh uh huh
No work No food
uh huh uh huh uh huh
gird your loins up
uh huh and
adjust your mood
find your tools
No work no food
uh huh uh huh uh huh uh huh
You can read an explanation of the origin of these lyrics here
uh huh uh huh
No work No food
uh huh uh huh uh huh
gird your loins up
uh huh and
adjust your mood
find your tools
No work no food
uh huh uh huh uh huh uh huh
You can read an explanation of the origin of these lyrics here
Tuesday, January 05, 2010
635 : 1/5/00 : Nothing Exists (Flesh and Bones: An Homage 82/101)
Nothing exists there is not one Word
and not one song and not
one note and everything is
meaningless is nothing more
then its own exhibition
of an insensible cacophony
You can read an explanation of the origin of these lyrics here
and not one song and not
one note and everything is
meaningless is nothing more
then its own exhibition
of an insensible cacophony
You can read an explanation of the origin of these lyrics here
Monday, January 04, 2010
634 : 1/4/00 : Go To Sleep (Flesh and Bones: An Homage 81/101)
Sunday, January 03, 2010
633 : 1/3/00 : Miracle (Flesh and Bones: An Homage 80/101)
It's a miracle I'm breathing
That I'll probably survive
through to the next tomorrow
It's a miracle I'm still alive
I'm eating when I'm hungry
I'm sleeping when I'm tired
I'm writing every chance I get
Look at the strange procession I've sired
look at this foolish rambling mess
it's a miracle heaven knows
it's a miracle I'm still around
it's a miracle my eyes can close
You can read an explanation of the origin of these lyrics here
That I'll probably survive
through to the next tomorrow
It's a miracle I'm still alive
I'm eating when I'm hungry
I'm sleeping when I'm tired
I'm writing every chance I get
Look at the strange procession I've sired
look at this foolish rambling mess
it's a miracle heaven knows
it's a miracle I'm still around
it's a miracle my eyes can close
You can read an explanation of the origin of these lyrics here
Saturday, January 02, 2010
632 : 1/2/00 : Incense Burner (Flesh and Bones: An Homage 79/101)
judge this song for free
one in a thousand
imperfect, of an imperfect hand
expressing what will be, will be
I used to drink and smoke and carry on
didn’t make me a better writer
another man would give up but I’m a fighter
so I blindly follow the fairy song
Sung by the will o wisp
in the dark woods of an uncertain past
flag of childhood dreaming flies half-mast
I weighed 67 pounds, spoke with an endearing lisp
I’m on the path but I’m a slow learner
So put this one in your pipe and smoke it
does discipline give birth to creativity or choke it
I’ll torch that with my other
imperfections in my incense burner
You can read an explanation of the origin of these lyrics here
one in a thousand
imperfect, of an imperfect hand
expressing what will be, will be
I used to drink and smoke and carry on
didn’t make me a better writer
another man would give up but I’m a fighter
so I blindly follow the fairy song
Sung by the will o wisp
in the dark woods of an uncertain past
flag of childhood dreaming flies half-mast
I weighed 67 pounds, spoke with an endearing lisp
I’m on the path but I’m a slow learner
So put this one in your pipe and smoke it
does discipline give birth to creativity or choke it
I’ll torch that with my other
imperfections in my incense burner
You can read an explanation of the origin of these lyrics here
Friday, January 01, 2010
631 : 1/1/00 : Real Prosperity (Flesh and Bones: An Homage 78/101)
Father to father son to son
Real prosperity is in the progression
Who can hold onto time at all
And you’re lucky if you wind up
as a painting on the wall
Father to grandfather son to grandson
3 generations and a hundred years are gone
Look how it changes never stays the same
At least they’ll carry on the family name
It’s the order of things I guess
It works out in the long run
but the details are a mess
Real prosperity is just in the day
Fathers or sons for the moment anyway
You can read an explanation of the origin of these lyrics here
Real prosperity is in the progression
Who can hold onto time at all
And you’re lucky if you wind up
as a painting on the wall
Father to grandfather son to grandson
3 generations and a hundred years are gone
Look how it changes never stays the same
At least they’ll carry on the family name
It’s the order of things I guess
It works out in the long run
but the details are a mess
Real prosperity is just in the day
Fathers or sons for the moment anyway
You can read an explanation of the origin of these lyrics here
Thursday, December 31, 2009
630 : 12/31/99 : No Attachment to Dust (Flesh and Bones: An Homage 77/101)
There is nothing that will last
there is nothing that I must
No moon in the water
no attachment to dust
There is no one I'm afraid of
There is no one that I trust
I see nothing that's alarming
In a handful if dust
All my treasure has to perish
All will fall to moth and rust
I live without assumptions
or attachments to dust
You can read an explanation of the origin of these lyrics here
there is nothing that I must
No moon in the water
no attachment to dust
There is no one I'm afraid of
There is no one that I trust
I see nothing that's alarming
In a handful if dust
All my treasure has to perish
All will fall to moth and rust
I live without assumptions
or attachments to dust
You can read an explanation of the origin of these lyrics here
629 : 12/30/99 : Stone Mind (Flesh and Bones: An Homage 76/101)
I have a heavy head
I wish that I
could lighten up
my stone mind
I’m sleeping in the bed
I made for myself
in a past
I left behind
My stone mind causes
me to be
so serious
I’m no fun at all
It never pauses
It’s always
chewing up
time searching for the call
Inside
Outside
forward
or behind
I’m carrying it all in my stone mind
You can read an explanation of the origin of these lyrics here
I wish that I
could lighten up
my stone mind
I’m sleeping in the bed
I made for myself
in a past
I left behind
My stone mind causes
me to be
so serious
I’m no fun at all
It never pauses
It’s always
chewing up
time searching for the call
Inside
Outside
forward
or behind
I’m carrying it all in my stone mind
You can read an explanation of the origin of these lyrics here
Tuesday, December 29, 2009
628 : 12/29/99 : Temper (Flesh and Bones: An Homage 75/101)
Temper temper
better calm down
we’ve done a lot of damage
already
Speak softly
and carry a multi-warhead
city killing long range ballistic
equalizer
ready, steady
You better cool off mister
you ought not to have said
what you did about
my sister
already a steady rain falls
the earth is getting hotter
there’s a little less clean water
though unready, unsteady
still sane and
no walls
remain,
falls
away
You can read an explanation of the origin of these lyrics here
better calm down
we’ve done a lot of damage
already
Speak softly
and carry a multi-warhead
city killing long range ballistic
equalizer
ready, steady
You better cool off mister
you ought not to have said
what you did about
my sister
already a steady rain falls
the earth is getting hotter
there’s a little less clean water
though unready, unsteady
still sane and
no walls
remain,
falls
away
You can read an explanation of the origin of these lyrics here
Monday, December 28, 2009
627 : 12/28/99 : Reformation (Flesh and Bones: An Homage 74/101)
I get them with my testimonial
I gave it high on nitrous once
I know just how to play the
divine mystic cosmic dunce
when they see my mean estate
and my humble gratitude
Just to be alive
Baby it’s all attitude
They experience true reformation
They finally see
Get down to serious business
So I can get back to the fathomless sea
You can read an explanation of the origin of these lyrics here
I gave it high on nitrous once
I know just how to play the
divine mystic cosmic dunce
when they see my mean estate
and my humble gratitude
Just to be alive
Baby it’s all attitude
They experience true reformation
They finally see
Get down to serious business
So I can get back to the fathomless sea
You can read an explanation of the origin of these lyrics here
Sunday, December 27, 2009
626 : 12/27/99 : Ten Successors (Flesh and Bones: An Homage 73/101)
Ten successors
is there anything at all
to the stories that they
heard a holy call
Was he struck down in anger
or transfixed alive
on the moment of transcendence
next stop dimension five
Did he wield the stick in anger
was his method trial by fire
ten swam back out of the deep end
other ten swam under the wire
Ten successors and
a bodhisattva martyr
poleaxed by a touchy monk
while sniffing after the garter
You can read an explanation of the origin of these lyrics here
is there anything at all
to the stories that they
heard a holy call
Was he struck down in anger
or transfixed alive
on the moment of transcendence
next stop dimension five
Did he wield the stick in anger
was his method trial by fire
ten swam back out of the deep end
other ten swam under the wire
Ten successors and
a bodhisattva martyr
poleaxed by a touchy monk
while sniffing after the garter
You can read an explanation of the origin of these lyrics here
Saturday, December 26, 2009
625 : 12/26/99 : Blockhead Lord (Flesh and Bones: An Homage 72/101)
Do not flatter this Blockhead Lord
He may wear fine robes
But he doesn’t know a thing of Zen
and the futures he reads in crystal globes
hey Blockhead!
build me a Temple instead
of this old cleric
rock you to sleep in the bed
you made for me
you may be a Lord
But you know not
what this third crow bought
You can read an explanation of the origin of these lyrics here
He may wear fine robes
But he doesn’t know a thing of Zen
and the futures he reads in crystal globes
hey Blockhead!
build me a Temple instead
of this old cleric
rock you to sleep in the bed
you made for me
you may be a Lord
But you know not
what this third crow bought
You can read an explanation of the origin of these lyrics here
624 : 12/25/99 : Be Silent (Flesh and Bones: An Homage 71/101)
Hush
Silent
Do not say a word
hush
be silent
do not say one word
not even
this
this
this
this
this
this
this
this
this
You can read an explanation of the origin of these lyrics here
Silent
Do not say a word
hush
be silent
do not say one word
not even
this
this
this
this
this
this
this
this
this
You can read an explanation of the origin of these lyrics here
623 : 12/24/99 : The Most Valuable Thing in the World (Flesh and Bones: An Homage 70/101)
Do you want
the most valuable thing
In the world?
Hold out your
hand
and
I’ll give it to you
You can read an explanation of the origin of these lyrics here
the most valuable thing
In the world?
Hold out your
hand
and
I’ll give it to you
You can read an explanation of the origin of these lyrics here
Wednesday, December 23, 2009
622 : 12/23/99 : Eat the Blame (Flesh and Bones: An Homage 69/101)
The master found
a snake’s head in his soup
I’ve been around
it goes deeper than I’ll stoop
while the world crumbles
everyone’s trying to make a name
give that snake’s head to me
I’ll eat the blame
the snake was born
for crawling in the grass
and every morn
I sigh for what’s come to pass
We’ve taken life and
turned it into a game
If you need a scapegoat
I’ll eat the blame
You know to me it’s all the same
it could be better but I’m glad I came
While the world boils in secret shame
I’ll just grab the snake
and eat the blame
You can read an explanation of the origin of these lyrics here
a snake’s head in his soup
I’ve been around
it goes deeper than I’ll stoop
while the world crumbles
everyone’s trying to make a name
give that snake’s head to me
I’ll eat the blame
the snake was born
for crawling in the grass
and every morn
I sigh for what’s come to pass
We’ve taken life and
turned it into a game
If you need a scapegoat
I’ll eat the blame
You know to me it’s all the same
it could be better but I’m glad I came
While the world boils in secret shame
I’ll just grab the snake
and eat the blame
You can read an explanation of the origin of these lyrics here
Tuesday, December 22, 2009
621 : 12/22/99 : One Note Zen (Flesh and Bones: An Homage 68/101)
blow my whistle
toot my horn
one note zen
master is born
look how sacred
look how wise
one note master
angel eyes
bodhisattva
straight and long
one note zen
one note song
You can read an explanation of the origin of these lyrics here
toot my horn
one note zen
master is born
look how sacred
look how wise
one note master
angel eyes
bodhisattva
straight and long
one note zen
one note song
You can read an explanation of the origin of these lyrics here
Monday, December 21, 2009
620 : 12/21/99 : Doing Saying (Flesh and Bones: An Homage 67/101)
1,694 : 71 ?What are you doing
What are you saying
show me one true thing
You found by praying
doing is being
saying is nothing
dying is freeing
living the one thing
In doing be true
in saying be clear
Everything I do
I do without fear
What are you doing
what are you saying
this is the true thing
the curtain is fraying
You can read an explanation of the origin of these lyrics here
619 : 12/20/99 : Children of His Majesty (Flesh and Bones: An Homage 66/101)
If I was a shareholder
one of the five percent
would I display my sinister bent
or would I be bolder
If I had wealth superabundant
would I tie my mule to a good cause
could my will contain an escape clause
Would I behave just the same, redundant
While I lay wishing for some fancy thing
ten thousand die ten thousand die
the children are starving I wonder why
the children of his majesty the king
he's mumbling he's mad as a hatter
and I am poor as a mouse
no wagon field or house
no crown no silver platter
Yet if I were a shareholder
I could give away everything
To feed the children of his majesty the king
that's what I'd do if I were a little bolder
You can read an explanation of the origin of these lyrics here
one of the five percent
would I display my sinister bent
or would I be bolder
If I had wealth superabundant
would I tie my mule to a good cause
could my will contain an escape clause
Would I behave just the same, redundant
While I lay wishing for some fancy thing
ten thousand die ten thousand die
the children are starving I wonder why
the children of his majesty the king
he's mumbling he's mad as a hatter
and I am poor as a mouse
no wagon field or house
no crown no silver platter
Yet if I were a shareholder
I could give away everything
To feed the children of his majesty the king
that's what I'd do if I were a little bolder
You can read an explanation of the origin of these lyrics here
Saturday, December 19, 2009
618 : 12/19/99 : Subjugation of a Ghost (Flesh and Bones: An Homage 65/101)
Seven minutes prior to the
witching hour
I lifted up my hammer and my tongs
And set myself to
engaging the higher paradigm
And unleashed the untold
potency of my songs
Seven seconds past the
next long goodbye
As the valet dished up something
like dismay on toast
It was heavily connected
to the function of the evening
namely the subjugation
of a Ghost
And I will stand by and
watch them march
through that door
You can read an explanation of the origin of these lyrics here
witching hour
I lifted up my hammer and my tongs
And set myself to
engaging the higher paradigm
And unleashed the untold
potency of my songs
Seven seconds past the
next long goodbye
As the valet dished up something
like dismay on toast
It was heavily connected
to the function of the evening
namely the subjugation
of a Ghost
And I will stand by and
watch them march
through that door
You can read an explanation of the origin of these lyrics here
Friday, December 18, 2009
617 : 12/18/99 : Sweat (Flesh and Bones: An Homage 64/101)
I can talk the talk
I talk it in my sleep
I can’t walk the walk though
I’m just another sheep
put me on the stand
then you’ll see me sweat
every drop accuses me
every drop’s a lost bet
Never let them see you sweat
never let them in
that was my whole strategy
but now I’m ready to begin
I will walk away today
all my past regret
will disappear like morning fog
evaporate like sweat
You can read an explanation of the origin of these lyrics here
I talk it in my sleep
I can’t walk the walk though
I’m just another sheep
put me on the stand
then you’ll see me sweat
every drop accuses me
every drop’s a lost bet
Never let them see you sweat
never let them in
that was my whole strategy
but now I’m ready to begin
I will walk away today
all my past regret
will disappear like morning fog
evaporate like sweat
You can read an explanation of the origin of these lyrics here
Thursday, December 17, 2009
616 : 12/17/99 : Killing (Flesh and Bones: An Homage 63/101)
I shouldn’t be allowed
to preach without enlightenment
there oughta be a law
Some license on my gospel tent
What can I do if I’m simply wrong
am I killing Buddha with this song?
I should just write
my own material
this has become
one strange ass serial
I guess I’ve kept it up this long
I guess Buddha can take one more
unenlightened song
He said to kill him
If I met him walking on the path
It sounded dicey
Caught between satori and the grapes of wrath
Maybe I’ve been killing Buddha all along
Maybe I should write another song
You can read an explanation of the origin of these lyrics here
to preach without enlightenment
there oughta be a law
Some license on my gospel tent
What can I do if I’m simply wrong
am I killing Buddha with this song?
I should just write
my own material
this has become
one strange ass serial
I guess I’ve kept it up this long
I guess Buddha can take one more
unenlightened song
He said to kill him
If I met him walking on the path
It sounded dicey
Caught between satori and the grapes of wrath
Maybe I’ve been killing Buddha all along
Maybe I should write another song
You can read an explanation of the origin of these lyrics here
Wednesday, December 16, 2009
615 : 12/16/99 : In the Hands of Destiny (Flesh and Bones: An Homage 62/101)
My army is one-tenth the size
my war-chest is one-tenth the worth
We’re in the hands of destiny
my friends
but we stand to inherit the earth
Randomness will choose our fate
Fortunes cast with a trick coin
Young man you can’t get more West
than here
So turn around and join
My mentor’s march one million strong
My teachers follow me to war
In the hands of destiny
we rise
things won’t be the same anymore
You can read an explanation of the origin of these lyrics here
my war-chest is one-tenth the worth
We’re in the hands of destiny
my friends
but we stand to inherit the earth
Randomness will choose our fate
Fortunes cast with a trick coin
Young man you can’t get more West
than here
So turn around and join
My mentor’s march one million strong
My teachers follow me to war
In the hands of destiny
we rise
things won’t be the same anymore
You can read an explanation of the origin of these lyrics here
Tuesday, December 15, 2009
614 : 12/15/99 : Gudo (Flesh and Bones: An Homage 61/101)
Gudo
I guarantee you
this very mind
is not the Buddha
that’s a one thing
I can assure you
You will not tell me
what will become of me
you say you don’t know
I know there’s more to this story
are you here
to knock me to my senses
I sense there is
more to me than what they call defenses
maybe then I’ll see
What Gudo showed me
You can read an explanation of the origin of these lyrics here
I guarantee you
this very mind
is not the Buddha
that’s a one thing
I can assure you
You will not tell me
what will become of me
you say you don’t know
I know there’s more to this story
are you here
to knock me to my senses
I sense there is
more to me than what they call defenses
maybe then I’ll see
What Gudo showed me
You can read an explanation of the origin of these lyrics here
Monday, December 14, 2009
613 : 12/14/99 : Tunnel (Flesh and Bones: An Homage 60/101)
1,687 : 59 ?I’m going to dig a tunnel through the earth
tunnel through the earth
tunnel through the earth
I’m gonna dig and show you what I’m worth
and come out on the other side
I’m gonna dig a tunnel through the moon
tunnel through the moon
tunnel through the moon
I’m gonna dig that tunnel real soon
and come out on the other side
I’m gonna dig a tunnel through the sun
tunnel through the sun
tunnel through the sun
I’m gonna dig because I am the one
and come out on the other side
I’m gonna dig a tunnel through the sky
tunnel through the sky
tunnel through the sky
dig my way through space and stars don’t even ask me why
and come out on the other side
You can read an explanation of the origin of these lyrics here
Sunday, December 13, 2009
612 : 12/13/99 : Soldiers (Flesh and Bones: An Homage 59/101)
Soldiers of humanity
Out to save all sentient life
ain’t that something pretty big
ain’t you just the butcher’s knife
Ain’t you just the pruning shears
ain’t you just the cheese
out to save all sentient life
and me too as you please
soldiers of humanity
rooted to the spot
meditate these blues away
while I smoke lots of pot
in your temple far away
and very long ago
you showed them a thing or two
that’s really all I know
You can read an explanation of the origin of these lyrics here
Out to save all sentient life
ain’t that something pretty big
ain’t you just the butcher’s knife
Ain’t you just the pruning shears
ain’t you just the cheese
out to save all sentient life
and me too as you please
soldiers of humanity
rooted to the spot
meditate these blues away
while I smoke lots of pot
in your temple far away
and very long ago
you showed them a thing or two
that’s really all I know
You can read an explanation of the origin of these lyrics here
Saturday, December 12, 2009
611 : 12/12/99 : Stone Buddha (Flesh and Bones: An Homage 58/101)
I only have one ambition
I face every day with the same decision
I want people to point and say
he’s a Stone Buddha
he’s superfly he’s astral
he’s a stone Buddha
don’t let his wisdom slip past ya
I wanna step past all the phases
the need for Chi or secret places
I wanna be rock steady
like a stone Buddha
still and ready
like a stone Buddha
one day I’ll just slip away
maybe I’ll petrify some day
and finally achieve my karma
becoming Stone Buddha
You can read an explanation of the origin of these lyrics here
I face every day with the same decision
I want people to point and say
he’s a Stone Buddha
he’s superfly he’s astral
he’s a stone Buddha
don’t let his wisdom slip past ya
I wanna step past all the phases
the need for Chi or secret places
I wanna be rock steady
like a stone Buddha
still and ready
like a stone Buddha
one day I’ll just slip away
maybe I’ll petrify some day
and finally achieve my karma
becoming Stone Buddha
You can read an explanation of the origin of these lyrics here
Friday, December 11, 2009
610 : 12/11/99 : The Gates of Paradise (Flesh and Bones: An Homage 57/101)
Where are the gates of paradise
point me in the way
I’ve had my share of fire and ice
and you won’t have to show me twice
I’ll know it by the rocks and clay
I’ve seen its aspect in my dreams
And visions of it when I pray
or so it seems
at start of day
You can read an explanation of the origin of these lyrics here
point me in the way
I’ve had my share of fire and ice
and you won’t have to show me twice
I’ll know it by the rocks and clay
I’ve seen its aspect in my dreams
And visions of it when I pray
or so it seems
at start of day
You can read an explanation of the origin of these lyrics here
Thursday, December 10, 2009
609 12/10/99 The True Path (Flesh and Bones: An Homage 56/101)
No coming
no going
the true path
no slowing
me down now
I’m in it
get on it
begin it
You can read an explanation of the origin of these lyrics here
no going
the true path
no slowing
me down now
I’m in it
get on it
begin it
You can read an explanation of the origin of these lyrics here
Wednesday, December 09, 2009
608 : 12/9/99 : Tea Master (Flesh and Bones: An Homage 55/101)
Tea master
and assassin
there’s a tale
to keep you laughin’
imagine being
Fooled by tea
and the Tea Master
at the tea Academy
the usual alchemy
raised to the point of artistry
hardly useful
but mark the words
the assassin’s blade
can’t cut all the cords
hey Tea Master
that’s quite a
scenario you spin
The Tea Master
and the assassin
You can read an explanation of the origin of these lyrics here
and assassin
there’s a tale
to keep you laughin’
imagine being
Fooled by tea
and the Tea Master
at the tea Academy
the usual alchemy
raised to the point of artistry
hardly useful
but mark the words
the assassin’s blade
can’t cut all the cords
hey Tea Master
that’s quite a
scenario you spin
The Tea Master
and the assassin
You can read an explanation of the origin of these lyrics here
Tuesday, December 08, 2009
607 : 12/8/99 : Will and Testament (Flesh and Bones: An Homage 54/101)
I am nothing
but an insignificant
insect
You can read an explanation of the origin of these lyrics here
but an insignificant
insect
You can read an explanation of the origin of these lyrics here
Monday, December 07, 2009
606 : 12/7/99 : The Giver (Flesh and Bones: An Homage 53/101)
1,680 : 52 ?I just need a couple million
Build the machine and put the wheels on
I’ve got it all locked up inside
I’m ready for the ride
I just need some one to Give Me
What I’m missing to hire my Army
To round up my million men
And get ready to begin
I promise I’ll act like a man of the Tao
And I’ll give it all back but I need cash flow now
the giver should be thankful for me
giving them some reason to be
I’ll give one million a reason to
Stand up and rise on cue
Take control and shout the riddle
I’ll laugh while it burns and play my fiddle
You can read an explanation of the origin of these lyrics here
Sunday, December 06, 2009
605 : 12/6/99 : Your Light May Go Out (Flesh and Bones: An Homage 52/101)
Anyone can speculate
Your light may go out
So be sure to constantly meditate
You can read an explanation of the origin of these lyrics here
Your light may go out
So be sure to constantly meditate
You can read an explanation of the origin of these lyrics here
Saturday, December 05, 2009
604 : 12/5/99 : Sour Miso (Flesh and Bones: An Homage 51/101)
Don’t cry over sour miso
children are starving in Vietnam
Children are starving in China
Children are even starving in Japan
You can read an explanation of the origin of these lyrics here
children are starving in Vietnam
Children are starving in China
Children are even starving in Japan
You can read an explanation of the origin of these lyrics here
Friday, December 04, 2009
603 : 12/4/99 : Clear Realization (Flesh and Bones: An Homage 50/101)
Realize so clearly
no path but pain
I figured it out once
I guess I have to again
when will I give up on satisfaction
when will I give up on satiation
when that when that day comes
I will have my clear realization
You can read an explanation of the origin of these lyrics here
no path but pain
I figured it out once
I guess I have to again
when will I give up on satisfaction
when will I give up on satiation
when that when that day comes
I will have my clear realization
You can read an explanation of the origin of these lyrics here
Thursday, December 03, 2009
602 : 12/3/99 : Black-Nosed Buddha (Flesh and Bones: An Homage 49/101)
Black nosed Buddha
I’m gonna pray on you I’m gonna
pray on you I’m gonna
pray pray pray on you
and your ugly black nose
will tell me what to do
Black nose buddha
I’m burning my incense
just for your black nose
Your golden body mocks me
through a nose as black as coal
Black nosed Buddha
are you enlightened now
will you take me with you
will your black nose point me how
You can read an explanation of the origin of these lyrics here
I’m gonna pray on you I’m gonna
pray on you I’m gonna
pray pray pray on you
and your ugly black nose
will tell me what to do
Black nose buddha
I’m burning my incense
just for your black nose
Your golden body mocks me
through a nose as black as coal
Black nosed Buddha
are you enlightened now
will you take me with you
will your black nose point me how
You can read an explanation of the origin of these lyrics here
Wednesday, December 02, 2009
601 : 12/2/99 : Proportion (Flesh and Bones: An Homage 48/101)
Don’t try to fool me with
second best
If you put me up to it I’ll
pass the test
And if it seems to you
there is a hint of distortion
In my priorities
Then you lack my
Sense of proportion
You can read an explanation of the origin of these lyrics here
second best
If you put me up to it I’ll
pass the test
And if it seems to you
there is a hint of distortion
In my priorities
Then you lack my
Sense of proportion
You can read an explanation of the origin of these lyrics here
Tuesday, December 01, 2009
600 : 12/1/99 : Stingy Artist (Flesh and Bones: An Homage 47/101)
I’m a stingy artist
I always take my pay
I never work for free
and I’m working every day
I painted for the king baby
I painted for his girls
I charge as much as I can get
in diamonds gold and pearls
I’ve got a secret habit
my art is just a tool
I’m not saving for a race car
or to build a swimming pool
I’m not charging just to have more
that’s a path fit for a fool
My art pays to feed the poor
and build a road to heaven’s door
my art will build a temple
please observe my fine example
I’m a stingy artist baby
I’ll charge you through the nose
but it’s all for a good cause
but that’s a truth just heaven knows
You can read an explanation of the origin of these lyrics here
I always take my pay
I never work for free
and I’m working every day
I painted for the king baby
I painted for his girls
I charge as much as I can get
in diamonds gold and pearls
I’ve got a secret habit
my art is just a tool
I’m not saving for a race car
or to build a swimming pool
I’m not charging just to have more
that’s a path fit for a fool
My art pays to feed the poor
and build a road to heaven’s door
my art will build a temple
please observe my fine example
I’m a stingy artist baby
I’ll charge you through the nose
but it’s all for a good cause
but that’s a truth just heaven knows
You can read an explanation of the origin of these lyrics here
Monday, November 30, 2009
599 : 11/30/99 : Grass, Trees, Enlightened (Flesh and Bones: An Homage 46/101)
Sunday, November 29, 2009
New Continuity Record
Allow me to break the flow of the decade past for a moment for a note on what I'm writing now - I noticed today that I have broken my previous recorded continuity record on the current songwriting, that is to say the number of songs I have written on consecutive days without missing a day. Sometime around March 2009 (my handwritten notations on the subject are difficult to decipher) I broke a streak of 40 songs written on consecutive days; today I wrote song number 1,672 of the Second Series, marking 44 songs written without missing a day, and still rolling. Huzzah.
598 : 11/29/99 : Right From Wrong (Flesh and Bones: An Homage 45/101)
I need a classroom
to myself
to learn to write this one song
I need special treatment
because I don’t know
right from wrong
right and wrong
and good and evil
man and woman tooth and nail
If we have endorsed
the wrong rites
well maybe that god is in some detail
I learn my lesson
learn to pull back
before the hammer strikes
I learn to count
my p’s and q’s and use
my muse to fuel my mikes
You can read an explanation of the origin of these lyrics here
to myself
to learn to write this one song
I need special treatment
because I don’t know
right from wrong
right and wrong
and good and evil
man and woman tooth and nail
If we have endorsed
the wrong rites
well maybe that god is in some detail
I learn my lesson
learn to pull back
before the hammer strikes
I learn to count
my p’s and q’s and use
my muse to fuel my mikes
You can read an explanation of the origin of these lyrics here
Saturday, November 28, 2009
597 : 11/28/99 : The Thief (Flesh and Bones: An Homage 44/101)
After I got off my sentence
I went back to the only one
who had not called me a thief
His singular example
had created
something like belief
You can read an explanation of the origin of these lyrics here
I went back to the only one
who had not called me a thief
His singular example
had created
something like belief
You can read an explanation of the origin of these lyrics here
Friday, November 27, 2009
596 : 11/27/99 : Beggar’s Life (Flesh and Bones: An Homage 43/101)
I am not cut out for the beggar’s life
always down and out misfortune is my life
I’m attached to food and wealth and mystery
this beggar’s life is too hard for me
I would like to be renowned for what I know
but I do not love knowledge for it’s own sake, so
the beggar’s path is all that is left to trod
I’ll beg my way to heaven, I’ll beg my way to God
I’ll beg my way all the way to Carnegie Hall
I’ll beg my way out when my back’s against the wall
I’m begging right now for grace I have not earned
isn’t it something how the wurm has turned
If I can make it three days on the beggar road
I may have a vision of Master Joad
And he’ll whisper the beggar’s secret in my ear
Softly softly just for me to hear
You can read an explanation of the origin of these lyrics here
always down and out misfortune is my life
I’m attached to food and wealth and mystery
this beggar’s life is too hard for me
I would like to be renowned for what I know
but I do not love knowledge for it’s own sake, so
the beggar’s path is all that is left to trod
I’ll beg my way to heaven, I’ll beg my way to God
I’ll beg my way all the way to Carnegie Hall
I’ll beg my way out when my back’s against the wall
I’m begging right now for grace I have not earned
isn’t it something how the wurm has turned
If I can make it three days on the beggar road
I may have a vision of Master Joad
And he’ll whisper the beggar’s secret in my ear
Softly softly just for me to hear
You can read an explanation of the origin of these lyrics here
Thursday, November 26, 2009
595 : 11/26/99 : Dead Man (Flesh and Bones: An Homage 42/101)
I said
I am dead
to this world
to this inheritance of the meek
she kicked me
in the head
and said
fool
dead men do not speak
You can read an explanation of the origin of these lyrics here
I am dead
to this world
to this inheritance of the meek
she kicked me
in the head
and said
fool
dead men do not speak
You can read an explanation of the origin of these lyrics here
Wednesday, November 25, 2009
594 : 11/25/99 : Joshu’s Zen (Flesh and Bones: An Homage 41/101)
What can
not be
thrown or
carried
no thing
no thought
burned or
buried
I can’t
wrap my
head a-
round it
Joshu
spun it
then I
found it
no thing
no thought
taut or
tangled
on the
hook of
mind I
dangled
no thing
in my
battered
noggin
take the
back off
let this
cog in
fit me
in a-
mong the
wurmgears
turn me
turn me
till my
mind clears
You can read an explanation of the origin of these lyrics here
not be
thrown or
carried
no thing
no thought
burned or
buried
I can’t
wrap my
head a-
round it
Joshu
spun it
then I
found it
no thing
no thought
taut or
tangled
on the
hook of
mind I
dangled
no thing
in my
battered
noggin
take the
back off
let this
cog in
fit me
in a-
mong the
wurmgears
turn me
turn me
till my
mind clears
You can read an explanation of the origin of these lyrics here
Tuesday, November 24, 2009
593 : 11/24/99 : Dreamland (Flesh and Bones: An Homage 40/101)
Dreamland
see the sages and
pick up the robe
the master dropped
touch the bowl
and dreamland stopped
You can read an explanation of the origin of these lyrics here
see the sages and
pick up the robe
the master dropped
touch the bowl
and dreamland stopped
You can read an explanation of the origin of these lyrics here
Monday, November 23, 2009
592 : 11/23/99 : Sleeping in the Daytime (Flesh and Bones: An Homage 39/101)
Sunday, November 22, 2009
591 : 11/22/99 : Work (Flesh and Bones: An Homage 38/101)
thirteen years’ work
and still more gates
and still more blows
still more glory to come
when I feel the jerk
of the collar I hesitate
but where it leads I go
a grind to another a glory to some
You can read an explanation of the origin of these lyrics here
and still more gates
and still more blows
still more glory to come
when I feel the jerk
of the collar I hesitate
but where it leads I go
a grind to another a glory to some
You can read an explanation of the origin of these lyrics here
Saturday, November 21, 2009
590 : 11/21/99 : Sutras (II) (Flesh and Bones: An Homage 37/101)
Penny by penny
stone by stone
another day another dollar
I work alone
saving up to publish
My invisible sutras
ten years or twenty
don't matter to me
maybe no one gets it
well what will be will be
until I publish
my invisible sutras
penny for the orphan
penny for the poor
penny for the widow
wish I had a little more
hope they read what they need
in my invisible sutras
You can read an explanation of the origin of these lyrics here
stone by stone
another day another dollar
I work alone
saving up to publish
My invisible sutras
ten years or twenty
don't matter to me
maybe no one gets it
well what will be will be
until I publish
my invisible sutras
penny for the orphan
penny for the poor
penny for the widow
wish I had a little more
hope they read what they need
in my invisible sutras
You can read an explanation of the origin of these lyrics here
Friday, November 20, 2009
589 : 11/20/99 : Flower (Flesh and Bones: An Homage 36/101)
A long time ago the scientists say
flowers were unknown in all the land
they came before we made the scene
predestining our grasping hand
reach you cannot hold it
it’s just the way they told it
the flowers will inherit the earth
as they fall down around me
the simple truths astound me
the whole world spins an empty hub of mirth
everything changed when flowers came
everything changes when the flowers fall
the spider god crouches at the center of the world
and the ancestor gods make me record it all
and past the point of no return
is when you finally feel the burn
the empty in the fullness of desire
and while nobody complains much
when the flowers fall at the rain’s touch
they know at heart the elements of fire
You can read an explanation of the origin of these lyrics here
flowers were unknown in all the land
they came before we made the scene
predestining our grasping hand
reach you cannot hold it
it’s just the way they told it
the flowers will inherit the earth
as they fall down around me
the simple truths astound me
the whole world spins an empty hub of mirth
everything changed when flowers came
everything changes when the flowers fall
the spider god crouches at the center of the world
and the ancestor gods make me record it all
and past the point of no return
is when you finally feel the burn
the empty in the fullness of desire
and while nobody complains much
when the flowers fall at the rain’s touch
they know at heart the elements of fire
You can read an explanation of the origin of these lyrics here
Thursday, November 19, 2009
588 : 11/19/99 : Minute Zen (Flesh and Bones: An Homage 35/101)
I’m a Lutheran myself
but every now and then
I have to stop and do
a little minute Zen
One breath that rocks the bellows
between heaven and earth
and pulls the stars into existence
at the cosmos’ birth
I practice grace through faith not works
I’m always at the cross
I rock a thousand times a day
between satori and plain loss
I’ve nothing but a shelf of books
my notebook and my pen
I turn it into time gone by
and lose myself in Minute Zen
You can read an explanation of the origin of these lyrics here
but every now and then
I have to stop and do
a little minute Zen
One breath that rocks the bellows
between heaven and earth
and pulls the stars into existence
at the cosmos’ birth
I practice grace through faith not works
I’m always at the cross
I rock a thousand times a day
between satori and plain loss
I’ve nothing but a shelf of books
my notebook and my pen
I turn it into time gone by
and lose myself in Minute Zen
You can read an explanation of the origin of these lyrics here
Wednesday, November 18, 2009
587 : 11/18/99 : A Smile (Flesh and Bones: An Homage 34/101)
when they come to take you
and the guillotine awaits you
greet them with a smile
when it's time to meet your maker
and they beat you blind for being a Quaker
get up and take it with a smile
Nothing is fair and nothing makes sense
We're all getting put up at heaven's expense
and none of it will matter a thousand years hence
so greet the new day with a smile
when the big computer mixes you
and your alien slave lord fixes you
hey wake up with a smile
when the universe enters the big heat death
and you're in pain whenever you piss or take a breath
oh lie down each night with a smile
We're all headed for oblivion anyway
and nobody knows who listens when we pray
so you might as well live in the one day
and meet each moment with a smile
You can read an explanation of the origin of these lyrics here
and the guillotine awaits you
greet them with a smile
when it's time to meet your maker
and they beat you blind for being a Quaker
get up and take it with a smile
Nothing is fair and nothing makes sense
We're all getting put up at heaven's expense
and none of it will matter a thousand years hence
so greet the new day with a smile
when the big computer mixes you
and your alien slave lord fixes you
hey wake up with a smile
when the universe enters the big heat death
and you're in pain whenever you piss or take a breath
oh lie down each night with a smile
We're all headed for oblivion anyway
and nobody knows who listens when we pray
so you might as well live in the one day
and meet each moment with a smile
You can read an explanation of the origin of these lyrics here
Tuesday, November 17, 2009
586 : 11/17/99 : Hand (Flesh and Bones: An Homage 33/101)
My hand is clenched tight
around my heart
I am a stingy miser
and I play a stingy part
I need to open my hand
and let my treasure go
it’s no use to me like this
to live it has to flow
I need to open my hand
and cast my bread abroad
across the seven waters
to show my faith in God
my heart can’t stand the squeezing
my treasure’s turning green
I’ll take my hand away from it
step from behind the screen
You can read an explanation of the origin of these lyrics here
around my heart
I am a stingy miser
and I play a stingy part
I need to open my hand
and let my treasure go
it’s no use to me like this
to live it has to flow
I need to open my hand
and cast my bread abroad
across the seven waters
to show my faith in God
my heart can’t stand the squeezing
my treasure’s turning green
I’ll take my hand away from it
step from behind the screen
You can read an explanation of the origin of these lyrics here
Monday, November 16, 2009
585 : 11/16/99 : Inch Time Foot Gem (Flesh and Bones: An Homage 32/101)
Sunday, November 15, 2009
584 : 11/15/99 : Everything Is Best (Flesh and Bones: An Homage 31/101)
Everything is best
everything is right
wakes you in the morning
keeps you up at night
could it be that simple
could it be that fast
Every beggar’s wealthy
every first is last
You can read an explanation of the origin of these lyrics here
everything is right
wakes you in the morning
keeps you up at night
could it be that simple
could it be that fast
Every beggar’s wealthy
every first is last
You can read an explanation of the origin of these lyrics here
Saturday, November 14, 2009
583 : 11/14/99 : Calling Card (Flesh and Bones: An Homage 30/101)
A goose ran over your grave
while you were away sir
an important man
stood scattering sand
while I lay sleeping
my fate stopped in
while passing by
I was out with my mortal sin
engaging in the long goodbye
and a blank calling card
is what I returned to
on the back it said I knocked once
on the back it said we spurned you
a blank calling card
a space for a name
on the back it said
just leave the way you came
You can read an explanation of the origin of these lyrics here
while you were away sir
an important man
stood scattering sand
while I lay sleeping
my fate stopped in
while passing by
I was out with my mortal sin
engaging in the long goodbye
and a blank calling card
is what I returned to
on the back it said I knocked once
on the back it said we spurned you
a blank calling card
a space for a name
on the back it said
just leave the way you came
You can read an explanation of the origin of these lyrics here
Friday, November 13, 2009
582 : 11/13/99 : No Water No Moon (Flesh and Bones: An Homage 29/101)
No water, no moon
No water, no moon
at last I understand
not one minute too soon
no more water in the pail
no more moon in the water
I've uncovered my fate
after years that I sought her
after years on the search
after years on the path
there are waves in the water
and moonlight in the bath
there is light in the water
and light in my eyes
there is light everywhere
it should come as no surprise
and the light spills down
from a bamboo spoon
no water, no moon
no water, no moon
You can read an explanation of the origin of these lyrics here
No water, no moon
at last I understand
not one minute too soon
no more water in the pail
no more moon in the water
I've uncovered my fate
after years that I sought her
after years on the search
after years on the path
there are waves in the water
and moonlight in the bath
there is light in the water
and light in my eyes
there is light everywhere
it should come as no surprise
and the light spills down
from a bamboo spoon
no water, no moon
no water, no moon
You can read an explanation of the origin of these lyrics here
Thursday, November 12, 2009
581 : 11/12/99 : Treasure House (Flesh and Bones: An Homage 28/101)
All the beautiful things you seek
are inside of you
In the end the darkness is overcome
and cannot hide the truth
And I’m not sayin’ nothin’
I’m quiet as a mouse
All the wonderful things I seek
are hidden in my treasure house
You can read an explanation of the origin of these lyrics here
are inside of you
In the end the darkness is overcome
and cannot hide the truth
And I’m not sayin’ nothin’
I’m quiet as a mouse
All the wonderful things I seek
are hidden in my treasure house
You can read an explanation of the origin of these lyrics here
Wednesday, November 11, 2009
580 : 11/11/99 : The Voice of Happiness (Flesh and Bones: An Homage 27/101)
I’d kill and I’d die
I’d give my one good eye
just to speak with a voice of clear intent
I’d love to be enlightened
and have all my inputs heightened
but the hub is very tiny
and the spokes are very bent
they say the holy men
Speak with tongues mightier than the pen
and voices unencumbered with duress
unrestricted by society
free to speak the heart’s endless variety
how I yearn to hear the voice of happiness
You can read an explanation of the origin of these lyrics here
I’d give my one good eye
just to speak with a voice of clear intent
I’d love to be enlightened
and have all my inputs heightened
but the hub is very tiny
and the spokes are very bent
they say the holy men
Speak with tongues mightier than the pen
and voices unencumbered with duress
unrestricted by society
free to speak the heart’s endless variety
how I yearn to hear the voice of happiness
You can read an explanation of the origin of these lyrics here
Tuesday, November 10, 2009
579 : 11/10/99 : Trading Dialog (Flesh and Bones: An Homage 26/101)
The victor with the snappy lines
Wins the right to be the figurehead
sets up house in the cradle of society
We’d be better off electing a blind mute instead
trading dialog for a place to stay
trading dialog for food
they talk us out of a hell of a lot
and if we balk they act so rude
power speaks a wordless language
a fist shook under our noses
the man with the plan he warns us
there’s no time to smell the roses
It’s time to depose the masters of
the lying rhetorical game
and knock our stupid little brother off the throne
and know power by its true name
it’s time to win the war of dialog
and roust this class of professional liars
all they do is talk in circles
and piss on imaginary fires
You can read an explanation of the origin of these lyrics here
Wins the right to be the figurehead
sets up house in the cradle of society
We’d be better off electing a blind mute instead
trading dialog for a place to stay
trading dialog for food
they talk us out of a hell of a lot
and if we balk they act so rude
power speaks a wordless language
a fist shook under our noses
the man with the plan he warns us
there’s no time to smell the roses
It’s time to depose the masters of
the lying rhetorical game
and knock our stupid little brother off the throne
and know power by its true name
it’s time to win the war of dialog
and roust this class of professional liars
all they do is talk in circles
and piss on imaginary fires
You can read an explanation of the origin of these lyrics here
Monday, November 09, 2009
578 : 11/9/99 : Three Days More (Flesh and Bones: An Homage 25/101)
1,651 : 23 ?I’m only going to put up with this
three days more
I tried my best but in the end I
couldn’t find the door
I listen for a sound
that isn’t there at all
I guess I’d better kill myself
3 days is a damn long time to fall
I’m only going to knock myself out
three days more
if trying doesn’t work then what
is trying for
enlightenment or bust friend in
three days I’ll know
I’ll know as clean and crisp and clear
as freshly fallen mountain snow
You can read an explanation of the origin of these lyrics here
Sunday, November 08, 2009
577 : 11/8/99 : Sutras (Flesh and Bones: An Homage 24/101)
Was Hitler Enlightened?
Was Stalin Enlightened?
Was Pol Pot Enlightened?
When the Buddha turned the light on
In the world that day
I write my own Sutras
Recite my own Sutras
My daily homegrown Sutras
Why not I’m not so very holy
to use the real thing anyway
I’d like to exclude some
the wicked and fearsome
I can’t work out the sum
of evil versus universal
transcendent salvation
I baffle the lotus
I circle the lotus
I can’t work the lotus
into my twisted
universal equation
You can read an explanation of the origin of these lyrics here
Was Stalin Enlightened?
Was Pol Pot Enlightened?
When the Buddha turned the light on
In the world that day
I write my own Sutras
Recite my own Sutras
My daily homegrown Sutras
Why not I’m not so very holy
to use the real thing anyway
I’d like to exclude some
the wicked and fearsome
I can’t work out the sum
of evil versus universal
transcendent salvation
I baffle the lotus
I circle the lotus
I can’t work the lotus
into my twisted
universal equation
You can read an explanation of the origin of these lyrics here
Saturday, November 07, 2009
576 : 11/7/99 : Departure (Flesh and Bones: An Homage 23/101)
Stupid people ask me if the fire burns
Stupid men concern themselves
with steady returns on investment
What did you get out of life today
When the time of my departure comes at last
I won’t get sidetracked
by my past or a digest of regrets
It’s the same as anything say what you may
I’m on a plane and the plane’s on fire
It seems an awfully complicated
funeral pyre to me
technology has arranged my departure
for me
My preacher told me ‘bout the afterlife
he said nobody’s sure
but it’s the end of strife I promise
and it’s all guaranteed and all
for free
You can read an explanation of the origin of these lyrics here
Stupid men concern themselves
with steady returns on investment
What did you get out of life today
When the time of my departure comes at last
I won’t get sidetracked
by my past or a digest of regrets
It’s the same as anything say what you may
I’m on a plane and the plane’s on fire
It seems an awfully complicated
funeral pyre to me
technology has arranged my departure
for me
My preacher told me ‘bout the afterlife
he said nobody’s sure
but it’s the end of strife I promise
and it’s all guaranteed and all
for free
You can read an explanation of the origin of these lyrics here
Friday, November 06, 2009
575 : 11/6/99 : My Heart Burns Like Fire (Flesh and Bones: An Homage 22/101)
My heart burns like fire
But my eyes are cold as dead ashes
See how the ocean rises
See how the great wave crashes
I’ve never eaten enough to fill me
I never think about the past
I never raise the flag up
it always flies half mast
But my heart burns like fire
and my eyes are cold and dark
and if I let an arrow fly
it always finds its mark
You can read an explanation of the origin of these lyrics here
But my eyes are cold as dead ashes
See how the ocean rises
See how the great wave crashes
I’ve never eaten enough to fill me
I never think about the past
I never raise the flag up
it always flies half mast
But my heart burns like fire
and my eyes are cold and dark
and if I let an arrow fly
it always finds its mark
You can read an explanation of the origin of these lyrics here
Thursday, November 05, 2009
574 : 11/5/99 : One Hand Clapping (Flesh and Bones: An Homage 21/101)
The files among other things
collect one thousand songs
for example the world's smallest bell
and the way the surf of the big sea pounds
and the meow of the kitten that made me sad
dripping water in a cave where no one's been
and diamonds crystallizing on Neptune
and a duplicate of Einstein's voice in paraffin
a grasshopper chewing on the first page of
the last copy of an undiscovered verse
which lays out in aching clarity
a truth so complete it had no choice but to disperse
a cymbal, a wristwatch, a party horn
a candle, a bird's bone snapping
a windmill, a whirlwind, a dinosaur egg
from which there comes the slightest tapping
but nowhere among these rare recordings
or the nine hundred eighty five more
is the sound of one hand clapping
they say it's somehow secretly embedded in the core.
You can read an explanation of the origin of these lyrics here
collect one thousand songs
for example the world's smallest bell
and the way the surf of the big sea pounds
and the meow of the kitten that made me sad
dripping water in a cave where no one's been
and diamonds crystallizing on Neptune
and a duplicate of Einstein's voice in paraffin
a grasshopper chewing on the first page of
the last copy of an undiscovered verse
which lays out in aching clarity
a truth so complete it had no choice but to disperse
a cymbal, a wristwatch, a party horn
a candle, a bird's bone snapping
a windmill, a whirlwind, a dinosaur egg
from which there comes the slightest tapping
but nowhere among these rare recordings
or the nine hundred eighty five more
is the sound of one hand clapping
they say it's somehow secretly embedded in the core.
You can read an explanation of the origin of these lyrics here
Wednesday, November 04, 2009
573 : 11/4/99 : Advice (Flesh and Bones: An Homage 20/101)
My mom gave this advice
don’t invent the wheel twice
All the good things that you seek
You’ll find inside of you
You can read an explanation of the origin of these lyrics here
don’t invent the wheel twice
All the good things that you seek
You’ll find inside of you
You can read an explanation of the origin of these lyrics here
Tuesday, November 03, 2009
572 : 11/3/99 : The First Principle (Flesh and Bones: An Homage 19/101)
The theory is the
empty and unfettered mind
sets down a bold stroke
and each that follows in kind
is a masterpiece
perfect and simple
led inevitably
through from the first principle
You can read an explanation of the origin of these lyrics here
empty and unfettered mind
sets down a bold stroke
and each that follows in kind
is a masterpiece
perfect and simple
led inevitably
through from the first principle
You can read an explanation of the origin of these lyrics here
Monday, November 02, 2009
571 : 11/2/99 : Parable (Flesh and Bones: An Homage 18/101)
If all my certainty
is only rooted in habit
I guess what sweet is offered me
I’m bound to reach out and grab it
if only reason creates order
what then creates reason
if chaos is a postulate
why do I name each season
I’m caught in between the
certainty of doubt
and the doubt of certainty and
I’m dying to get out
I’m trying to square the circle
and turn lead into gold
while I practice all my tricks
the future will unfold
just the way it wants to
So strong in wanting nothing
Don’t think too hard about it
You must have your own parable to sing
You can read an explanation of the origin of these lyrics here
is only rooted in habit
I guess what sweet is offered me
I’m bound to reach out and grab it
if only reason creates order
what then creates reason
if chaos is a postulate
why do I name each season
I’m caught in between the
certainty of doubt
and the doubt of certainty and
I’m dying to get out
I’m trying to square the circle
and turn lead into gold
while I practice all my tricks
the future will unfold
just the way it wants to
So strong in wanting nothing
Don’t think too hard about it
You must have your own parable to sing
You can read an explanation of the origin of these lyrics here
570 : 11/1/99 : Stingy Teacher (Flesh and Bones: An Homage 17/101)
1,645 : 17 ?I’ve got a stingy teacher
she won’t give me an inch
and everything is hard to me
that she says is a cinch
she teaches me with riddles
they don’t make any sense
she just laughs and says
that I’m spectacularly dense
I’ve got a stingy teacher
she won’t give me a clue
She says I must do what I must
to know what I must do
I threaten that I’ll leave her
I threaten I’ll give up
she asked after the color
of the water in my cup
She stumped me with a question
one word that means no thing
Now that I think about it
There’s no word that I can sing.
You can read an explanation of the origin of these lyrics here
Saturday, October 31, 2009
Recalibration of time machine complete
Well damn, I have once more achieved temporal parity with the prior decade. Halloween 1999, I remember it well. A little too well, actually, but that's a whole other story. How long will I manage to maintain the daily-ish posting this time? Try not to let the suspense hurl your sense of order into violent disarray.
569 : 10/31/99 : Not Far (Flesh and Bones: An Homage 16/101)
I’m not far now
It’s not far now
I’m almost there
I’m working on how
It’s not far to go
a future none may know
I’ll find it at my own pace
shuffle through this deck of woe
It’s not far now
to get back to
the start of things
and me and you
I know a guy
who knows just what to do
and it’s not far
he’s not far from
finding what was sought for
answering what was asked
opening to one last knock
revealing what was masked
You can read an explanation of the origin of these lyrics here
It’s not far now
I’m almost there
I’m working on how
It’s not far to go
a future none may know
I’ll find it at my own pace
shuffle through this deck of woe
It’s not far now
to get back to
the start of things
and me and you
I know a guy
who knows just what to do
and it’s not far
he’s not far from
finding what was sought for
answering what was asked
opening to one last knock
revealing what was masked
You can read an explanation of the origin of these lyrics here
568 : 10/30/99 : Mother (Flesh and Bones: An Homage 15/101)
I don't care if people laugh
and whisper to each other
I don't care what people say
I'm a mama's boy
I'll always love my mother
I love all my family dear
Dad and sister and my brother
I know where I came from
I'm a mama's boy
I'll always love my mother
This life gives you just one chance
you cannot buy another
I know where my heart belongs
I'm a mama's boy
I'll always love my mother
You can read an explanation of the origin of these lyrics here
and whisper to each other
I don't care what people say
I'm a mama's boy
I'll always love my mother
I love all my family dear
Dad and sister and my brother
I know where I came from
I'm a mama's boy
I'll always love my mother
This life gives you just one chance
you cannot buy another
I know where my heart belongs
I'm a mama's boy
I'll always love my mother
You can read an explanation of the origin of these lyrics here
567 : 10/29/99 : Muddy Road (Flesh and Bones: An Homage 14/101)
Come on girl
I’ll lift you in my arms
carry you across this muddy road
ignoring all your charms
When we reach the other side
I’ll set you gently down
it’s just the kind of monk I am
the root of my renown
You can read an explanation of the origin of these lyrics here
I’ll lift you in my arms
carry you across this muddy road
ignoring all your charms
When we reach the other side
I’ll set you gently down
it’s just the kind of monk I am
the root of my renown
You can read an explanation of the origin of these lyrics here
Friday, October 30, 2009
566 : 10/28/99 : A Buddha (Flesh and Bones: An Homage 13/101)
If I renounce my vices
give up smokes and practice Zen
If I follow all the precepts
will I be a Buddha then?
You can read an explanation of the origin of these lyrics here
give up smokes and practice Zen
If I follow all the precepts
will I be a Buddha then?
You can read an explanation of the origin of these lyrics here
565 : 10/27/99 : Happy Chinaman (Flesh and Bones: An Homage 12/101)
There are more happy Chinamen
in this world than any other
kind of man, that’s just statistics
that’s nothing special
If I had a sack of special gifts
If I’d just worked harder on the riffs
I might be some kind of
rock and roll santa by now
I can’t do what I want
So I guess I must do what I can
do I make any sense to you
happy Chinaman?
You can read an explanation of the origin of these lyrics here
in this world than any other
kind of man, that’s just statistics
that’s nothing special
If I had a sack of special gifts
If I’d just worked harder on the riffs
I might be some kind of
rock and roll santa by now
I can’t do what I want
So I guess I must do what I can
do I make any sense to you
happy Chinaman?
You can read an explanation of the origin of these lyrics here
564 : 10/26/99 : Shunkai (Flesh and Bones: An Homage 11/101)
When I read the story of Shunkai
I know that I don’t have the right
to claim stories that aren’t my own
to take up someone else’s fight
It seemed to confirm my suspicion
that it’s a sorry lot we’re handed
God is silent God is mute
the rich are rewarded the good reprimanded
how could I compare myself
to the true pilgrims that went before
still Shunkai would have forgiven me
we all knock at the same door
You can read an explanation of the origin of these lyrics here
I know that I don’t have the right
to claim stories that aren’t my own
to take up someone else’s fight
It seemed to confirm my suspicion
that it’s a sorry lot we’re handed
God is silent God is mute
the rich are rewarded the good reprimanded
how could I compare myself
to the true pilgrims that went before
still Shunkai would have forgiven me
we all knock at the same door
You can read an explanation of the origin of these lyrics here
563 : 10/25/99 : Last Poem (Flesh and Bones: An Homage 10/101)
I may have fooled you up to now
but you must know I am no master
I cannot predict my last poem
I cannot foresee disaster
You can read an explanation of the origin of these lyrics here
but you must know I am no master
I cannot predict my last poem
I cannot foresee disaster
You can read an explanation of the origin of these lyrics here
562 : 10/24/99 : The Moon (Flesh and Bones: An Homage 9/101)
A wolf in a business suit
watch the bastard blow
I’m killing him with kindness
and he doesn’t even know...
the means of production
the source of all wealth
five acres and independence
wolf baby here’s to your health
I wish I could give you the moon
something worth howling at
It used to be yours by right
but you’re a different sort of cat
the will of the people
the truths self-evident
the pursuit of happiness
so many letters that I sent
that said here’s the moon for you
wolf I wanted you to have it
take the clothes off my back
I only wear them out of habit
You can read an explanation of the origin of these lyrics here
watch the bastard blow
I’m killing him with kindness
and he doesn’t even know...
the means of production
the source of all wealth
five acres and independence
wolf baby here’s to your health
I wish I could give you the moon
something worth howling at
It used to be yours by right
but you’re a different sort of cat
the will of the people
the truths self-evident
the pursuit of happiness
so many letters that I sent
that said here’s the moon for you
wolf I wanted you to have it
take the clothes off my back
I only wear them out of habit
You can read an explanation of the origin of these lyrics here
Thursday, October 29, 2009
561 : 10/23/99 : Great Waves (Flesh and Bones: An Homage 8/101)
It seems there is a bellows
it’s working all the time
drawing in the chaos
spewing out exquisite rhyme
And I am just the waves
that took me as a child
How can a man so strong
be so meek and mild
All I ever think of are great waves
Once I was bashful
painfully shiy
now all the little honeys
say my oh my
but all I ever think about are great waves
the universe rocks
between one breath and another
And anyone who’s breathing
I am your spirit brother
You can read an explanation of the origin of these lyrics here
it’s working all the time
drawing in the chaos
spewing out exquisite rhyme
And I am just the waves
that took me as a child
How can a man so strong
be so meek and mild
All I ever think of are great waves
Once I was bashful
painfully shiy
now all the little honeys
say my oh my
but all I ever think about are great waves
the universe rocks
between one breath and another
And anyone who’s breathing
I am your spirit brother
You can read an explanation of the origin of these lyrics here
560 : 10/22/99 : Final Announcement (Flesh and Bones: An Homage 7/101)
What can I say but
Wish that I could stay
oh well final announcement
I’m leaving this day
You can read an explanation of the origin of these lyrics here
Wish that I could stay
oh well final announcement
I’m leaving this day
You can read an explanation of the origin of these lyrics here
559 : 10/21/99 : Ain’t No Lovingkindness (Flesh and Bones: An Homage 6/101)
Ain’t no lovingkindness
in this world we built
gonna hafta burn the whole thing down
gonna hafta burn the whole thing down
Ain’t no light or sense
in this system as it stands
gonna hafta run turn this ship around
before the whole thing goes aground
Ain’t no sense in trying
to fix what’s past repair
We’ve got time to start again
We’ve got time to start again
Maybe we will learn something
or do it all the same
guess we’ll never know till when
our sorry shack’s on fire friend
You can read an explanation of the origin of these lyrics here
in this world we built
gonna hafta burn the whole thing down
gonna hafta burn the whole thing down
Ain’t no light or sense
in this system as it stands
gonna hafta run turn this ship around
before the whole thing goes aground
Ain’t no sense in trying
to fix what’s past repair
We’ve got time to start again
We’ve got time to start again
Maybe we will learn something
or do it all the same
guess we’ll never know till when
our sorry shack’s on fire friend
You can read an explanation of the origin of these lyrics here
558 : 10/20/99 : If You Love (Flesh and Bones: An Homage 5/101)
If you love you’ll understand
despite my crazy scrawling hand
If you love you’ll see the light
If you don’t love well then goodnight
If you have an open heart
you’ll see that I am not so smart
to hold myself the way I do
to keep myself away from you
In the company of fools
helpless minions placid tools
If they love they’ll see someday
It’s what some try to steal away
What can’t be stolen can’t be bought
or forced by should or must or ought
what can’t be grasped or fastened on
by even virtue’s paragon
If you love be open true
and cast off all the gardyloo
and take this lesson home with you
That if you love you’ll be loved too
You can read an explanation of the origin of these lyrics here
despite my crazy scrawling hand
If you love you’ll see the light
If you don’t love well then goodnight
If you have an open heart
you’ll see that I am not so smart
to hold myself the way I do
to keep myself away from you
In the company of fools
helpless minions placid tools
If they love they’ll see someday
It’s what some try to steal away
What can’t be stolen can’t be bought
or forced by should or must or ought
what can’t be grasped or fastened on
by even virtue’s paragon
If you love be open true
and cast off all the gardyloo
and take this lesson home with you
That if you love you’ll be loved too
You can read an explanation of the origin of these lyrics here
557 : 10/19/99 : Obedience (Flesh and Bones: An Homage 4/101)
Called by anger called by dismay
called to the left side watch me obey
called by anguish called by pain
called to the right side see what you gain
called to obedience and discipline
called to the carpet ready to begin
called to gentleness meek as a lamb
I guess I'm finding out what kind I am
I don't mind the sleeplessness or the hurt
I'm rising to enlightenment just keep on your shirt
obedience is hard for me I'm trying hard to change
Guess that I'll just have to wait and see what you arrange
Call me to sit and learn I'll curl up at your feet
the vinegar is bitter but the lotus flower's sweet
the simple truth is there's a truth you can't write down
if you trace it in the air you get to wear the Buddha gown
You can read an explanation of the origin of these lyrics here
called to the left side watch me obey
called by anguish called by pain
called to the right side see what you gain
called to obedience and discipline
called to the carpet ready to begin
called to gentleness meek as a lamb
I guess I'm finding out what kind I am
I don't mind the sleeplessness or the hurt
I'm rising to enlightenment just keep on your shirt
obedience is hard for me I'm trying hard to change
Guess that I'll just have to wait and see what you arrange
Call me to sit and learn I'll curl up at your feet
the vinegar is bitter but the lotus flower's sweet
the simple truth is there's a truth you can't write down
if you trace it in the air you get to wear the Buddha gown
You can read an explanation of the origin of these lyrics here
Wednesday, October 28, 2009
Transition Protocol
This brings us to the end of Songs of Days volume 4, Blank Book. We we will proceed forthwith tomorrow with volume 5, which bears the title Untitled (very postmodern, I know. Or perhaps, what's the word? Pretentious). Looking back I'm sort of baffled that I didn't elect to drum up three standalone songs to fill the fourth volume before starting such a long related series as Flesh and Bones: An Homage 1-101, but there it is. I guess I have taken the attitude that the division of the books themselves is essentially arbitrary: start at the beginning, start a new one when the old one is full. In retrospect I do find (or imagine or project) a certain thematic coherence and narrative character in the volumes, but at the time of their writing the content was purely dictated by the flow of the daily writing in the context of whatever blank page happened to be next.
The only book this isn't true of is the final volume of series one, which ends in the middle and so was left half blank because I got to the last song I intended to write. Thinking of that I realize (four years too late) that it would have been more bad ass if, when I started the second series of daily songwriting, I had picked it up on the next blank page of the last book of the first series - instead of starting a new book, which is what I actually did. Though perhaps the decision to establish a concrete break between the two projects was intentional: my memories of starting the second series are surprisingly vague, considering its scope. I remember getting pretty worked up about the idea of returning to daily writing, and about making the huge, 10,000 song commitment, and that I started out with a bunch of complicated extraneous codes and markers that indicated stuff like what time of day the song was written, which were soon abandoned. These days, though, the specific inspiration and trains of thought that led up to these decisions are lost to me. The lesson of this may be no more than that the momentary whims of decision are not as important as we often think: only persistence carries through in the long run.
You can read an explanation of the origin of these lyrics here
The only book this isn't true of is the final volume of series one, which ends in the middle and so was left half blank because I got to the last song I intended to write. Thinking of that I realize (four years too late) that it would have been more bad ass if, when I started the second series of daily songwriting, I had picked it up on the next blank page of the last book of the first series - instead of starting a new book, which is what I actually did. Though perhaps the decision to establish a concrete break between the two projects was intentional: my memories of starting the second series are surprisingly vague, considering its scope. I remember getting pretty worked up about the idea of returning to daily writing, and about making the huge, 10,000 song commitment, and that I started out with a bunch of complicated extraneous codes and markers that indicated stuff like what time of day the song was written, which were soon abandoned. These days, though, the specific inspiration and trains of thought that led up to these decisions are lost to me. The lesson of this may be no more than that the momentary whims of decision are not as important as we often think: only persistence carries through in the long run.
You can read an explanation of the origin of these lyrics here
556 : 10/18/99 : Is That So? (Flesh and Bone: An Homage 3/101)
I thought I saw the universe a simple
spiral code
the small reflects the large
vice versa
nothing less nothing more
is that so? Is that so?
I thought I saw or heard
that all would be well
and all would be well
I want to believe that it is so
but it’s a hard sell
Is that so?
Is that so?
Is it mine? Does she know?
Was it hers
Why did she say what she said?
So many things
You seem to want me to know
Why is it all I say
is
is that so?
is that so?
You can read an explanation of the origin of these lyrics here
spiral code
the small reflects the large
vice versa
nothing less nothing more
is that so? Is that so?
I thought I saw or heard
that all would be well
and all would be well
I want to believe that it is so
but it’s a hard sell
Is that so?
Is that so?
Is it mine? Does she know?
Was it hers
Why did she say what she said?
So many things
You seem to want me to know
Why is it all I say
is
is that so?
is that so?
You can read an explanation of the origin of these lyrics here
555 : 10/17/99 : Diamond In the Road (Flesh and Bone: An Homage 2/101)
Did you find me like a
diamond in a muddy road
You must a known others had owned me
take me on invite me into your abode
I clean up pretty I look real sharp
I cut a fine profile
What a treasure for you to find
along this muddy mile
Diamond in the road
I might be who you were waiting for
If you give me wisdom
I might be the one who sees you through the door
I may be the hardest thing you’ve known
Impossible to penetrate
But trust me I am worth a fortune
Pick me up and don’t hesitate
You can read an explanation of the origin of these lyrics here
diamond in a muddy road
You must a known others had owned me
take me on invite me into your abode
I clean up pretty I look real sharp
I cut a fine profile
What a treasure for you to find
along this muddy mile
Diamond in the road
I might be who you were waiting for
If you give me wisdom
I might be the one who sees you through the door
I may be the hardest thing you’ve known
Impossible to penetrate
But trust me I am worth a fortune
Pick me up and don’t hesitate
You can read an explanation of the origin of these lyrics here
554 : 10/16/99 : Cup of Tea (Flesh and Bone: An Homage 1/101)
It seems so obvious
my mind is spilling out on every side
life's a brief candle
and the river's very wide
my cup of tea is running over
trying to make a point
can't solve this with another retreat
can't solve this with another joint
who is pouring out the wisdom
where does the spilt tea go
I can't see the point in crying
how was I supposed to know
If the pot has finally run dry
if the saucer's spilling too
soaking down into the carpet
maybe I can share some tea with you.
You can read an explanation of the origin of these lyrics here
my mind is spilling out on every side
life's a brief candle
and the river's very wide
my cup of tea is running over
trying to make a point
can't solve this with another retreat
can't solve this with another joint
who is pouring out the wisdom
where does the spilt tea go
I can't see the point in crying
how was I supposed to know
If the pot has finally run dry
if the saucer's spilling too
soaking down into the carpet
maybe I can share some tea with you.
You can read an explanation of the origin of these lyrics here
553 : 10/15/99 : Slow But Steady
Slowly but surely
I’m getting nowhere
a feeling I can’t bear
I loathe it purely
Faster and faster
the nights come on
I write some song
Song is my master
I’m turning the pages
slow but steady
I’ll start when I’m ready
I’ll get there by stages
You can read an explanation of the origin of these lyrics here
I’m getting nowhere
a feeling I can’t bear
I loathe it purely
Faster and faster
the nights come on
I write some song
Song is my master
I’m turning the pages
slow but steady
I’ll start when I’m ready
I’ll get there by stages
You can read an explanation of the origin of these lyrics here
Tuesday, October 27, 2009
552 : 10/14/99 : Wicked Bone
I’ve got a wicked bone in my body
It’s vibrating right now
It says baby you can have everything
and only I can show you how
give in to my wicked ways
I’ll show you wicked fun
I’ll show you how to make it yours
I’ll show you how this world is run
I’ve got a slightly tarnished halo
and a brass ring that I snatched
it only turned my finger green
but what a wicked thought it hatched
My wicked bone rests quiet now
concealed in flesh and blood
a little like a lotus flower
it will bloom in mire and mud
I’d like to go for wickedness
but the skeleton’s out of the closet
a man must reap the wages of
the treasure he chooses to deposit
You can read an explanation of the origin of these lyrics here
It’s vibrating right now
It says baby you can have everything
and only I can show you how
give in to my wicked ways
I’ll show you wicked fun
I’ll show you how to make it yours
I’ll show you how this world is run
I’ve got a slightly tarnished halo
and a brass ring that I snatched
it only turned my finger green
but what a wicked thought it hatched
My wicked bone rests quiet now
concealed in flesh and blood
a little like a lotus flower
it will bloom in mire and mud
I’d like to go for wickedness
but the skeleton’s out of the closet
a man must reap the wages of
the treasure he chooses to deposit
You can read an explanation of the origin of these lyrics here
551 : 10/13/99 : My Million
When I get high enough
and listen to the cosmos seethe
I can hear my restless million
I can hear my million breathe
when I get low enough
I know I’m all alone
I know that only death waits
this poor construction of flesh and bone
when I get wild enough
I know I’ll live forever and a day
And that’s enough to keep
this desperate longing at bay
when I calm down enough
I’ll marshall all my thoughts
and write them down for my million
in five to the fifth electric shots
when will my million rise
when I am ready to begin
I’m a long way off yet
but that is no sin
You can read an explanation of the origin of these lyrics here
and listen to the cosmos seethe
I can hear my restless million
I can hear my million breathe
when I get low enough
I know I’m all alone
I know that only death waits
this poor construction of flesh and bone
when I get wild enough
I know I’ll live forever and a day
And that’s enough to keep
this desperate longing at bay
when I calm down enough
I’ll marshall all my thoughts
and write them down for my million
in five to the fifth electric shots
when will my million rise
when I am ready to begin
I’m a long way off yet
but that is no sin
You can read an explanation of the origin of these lyrics here
550 : 10/12/99 : Song of Myself
If I sang the song of myself
what would it sound like
like going down a steep hill
ten years old, on my bike
Is it some thing I should
be hearing right now
is it there and I’m not listening
is it a small or a big sound
song of myself I’m not dancing
but maybe I should be
Maybe I should be crying
for all the things I could be
The song I sing’s the best I’ve got
I guess they’ll have to do
At least there are a lot of them
I wrote them all for you
Maybe in a couple years
we’ll all look back and laugh
At how it all wrapped up so fast
preserved in one last photograph
You can read an explanation of the origin of these lyrics here
what would it sound like
like going down a steep hill
ten years old, on my bike
Is it some thing I should
be hearing right now
is it there and I’m not listening
is it a small or a big sound
song of myself I’m not dancing
but maybe I should be
Maybe I should be crying
for all the things I could be
The song I sing’s the best I’ve got
I guess they’ll have to do
At least there are a lot of them
I wrote them all for you
Maybe in a couple years
we’ll all look back and laugh
At how it all wrapped up so fast
preserved in one last photograph
You can read an explanation of the origin of these lyrics here
549 : 10/11/99 : The New Leaf
If you’re waiting for salvation
You best not hold your breath
Well the way that you’re behaving
is just like living death
If you want to live forever
You must do more than wish
You’ve got to turn over a new leaf
just like when Jonah got ate by a fish
in the darkness of its belly
he prayed a fervent prayer
said Lord I’ll turn a new leaf
if you’ll just take me there
Nineveh it’s here again
the writing’s on the wall
listen what I say to you
this whole thing has to fall
if you turn a new leaf now
the Lord might spare your life
If you keep on scorning it
You won’t get nothing but strife
The new leaf the next page
get ready for the next big turn
gonna shake what shakes and rock what rolls
and what will burn will burn
You can read an explanation of the origin of these lyrics here
You best not hold your breath
Well the way that you’re behaving
is just like living death
If you want to live forever
You must do more than wish
You’ve got to turn over a new leaf
just like when Jonah got ate by a fish
in the darkness of its belly
he prayed a fervent prayer
said Lord I’ll turn a new leaf
if you’ll just take me there
Nineveh it’s here again
the writing’s on the wall
listen what I say to you
this whole thing has to fall
if you turn a new leaf now
the Lord might spare your life
If you keep on scorning it
You won’t get nothing but strife
The new leaf the next page
get ready for the next big turn
gonna shake what shakes and rock what rolls
and what will burn will burn
You can read an explanation of the origin of these lyrics here
548 : 10/10/99 : Hypodermic
A needle piercing your skin
is the worst thing you can know
that was how it all got started
oh so many years ago
like a hypodermic needle
physics jogged the memory
of brute matter brought forth
the whim of the sensory
with the introduction of the
looped feedback self-referent
there formed the theory of
an arch encrypted glyph that heaven sent
they sought it in the pyramid
they sought it in the hive
they knew it was in plain sight
and they knew its mark was five
So a little information
is a very unsafe thing
best forgo the hypodermic
and the knowledge it will bring
You can read an explanation of the origin of these lyrics here
is the worst thing you can know
that was how it all got started
oh so many years ago
like a hypodermic needle
physics jogged the memory
of brute matter brought forth
the whim of the sensory
with the introduction of the
looped feedback self-referent
there formed the theory of
an arch encrypted glyph that heaven sent
they sought it in the pyramid
they sought it in the hive
they knew it was in plain sight
and they knew its mark was five
So a little information
is a very unsafe thing
best forgo the hypodermic
and the knowledge it will bring
You can read an explanation of the origin of these lyrics here
Monday, October 26, 2009
547 : 10/9/99 : Invisible World
1,638 : 10 ?When we are silent
the stories we tell
As I sit and wait
for the whole thing to gel
to come into focus
the night turned to dawn
the sureness we sought for
uncertainties gone
when the world is silent
its stories unfolds
invisible world
not of silver or gold
not of hammers or highways
it sprouts in the cracks
and nothing can stop it
it can’t be held back
we think we’re important
we are in a way
we all have our moments
we all have our day
we find it in silence
just part of the same
the world that turns ever
all part of the game
You can read an explanation of the origin of these lyrics here
546 : 10/8/99 : Parthenon
If we’re separated by circumstances
or sudden disaster
Meet me at the Parthenon
I’ll be waiting patiently like some Greek master
I may be holding forth like Aristotle
but I’ll stop if I see you
so if fate comes between us
that’s what you should do
Go to the Parthenon
and in the shadow of ruined symmetry
the golden mean the columns
in the shadow of ancient mystery
I’ll be waiting there
I will wait forever and a day
for you to find me
at the Parthenon so far away
You can read an explanation of the origin of these lyrics here
or sudden disaster
Meet me at the Parthenon
I’ll be waiting patiently like some Greek master
I may be holding forth like Aristotle
but I’ll stop if I see you
so if fate comes between us
that’s what you should do
Go to the Parthenon
and in the shadow of ruined symmetry
the golden mean the columns
in the shadow of ancient mystery
I’ll be waiting there
I will wait forever and a day
for you to find me
at the Parthenon so far away
You can read an explanation of the origin of these lyrics here
545 : 10/7/99 : Sublime (II)
Whatever value is left
In this crust
will sublime away
disappear without a trace
leaving us alone bereft
of even the dust
of an honest day
met with an honest face
It’s amazing how things
can disappear into thin air
vanishing instantly
gone and forgotten
Can you hear how the bell rings
Can’t you feel the way your hair
stands and trembles hesitantly
can’t you feel this world is rotten
And it’s all sublime
It’s all subliming
It’s all in the wrist and the rhyme
It’s all about timing
You can read an explanation of the origin of these lyrics here
In this crust
will sublime away
disappear without a trace
leaving us alone bereft
of even the dust
of an honest day
met with an honest face
It’s amazing how things
can disappear into thin air
vanishing instantly
gone and forgotten
Can you hear how the bell rings
Can’t you feel the way your hair
stands and trembles hesitantly
can’t you feel this world is rotten
And it’s all sublime
It’s all subliming
It’s all in the wrist and the rhyme
It’s all about timing
You can read an explanation of the origin of these lyrics here
544 : 10/6/99 : 3 Magic Spells
3 Magic Spells
will you work for me
will you make it all okay
will you make me happy
will religion save me
Maybe money is the answer
maybe I should quit my job
become a Latin Dancer
If I don’t believe in my 3 spells
will they work anyway
Guess we’ll see if anything answers
Ain’t that just the way
You can read an explanation of the origin of these lyrics here
will you work for me
will you make it all okay
will you make me happy
will religion save me
Maybe money is the answer
maybe I should quit my job
become a Latin Dancer
If I don’t believe in my 3 spells
will they work anyway
Guess we’ll see if anything answers
Ain’t that just the way
You can read an explanation of the origin of these lyrics here
543 : 10/5/99 : Any Old Way
the dies cast
the marks made
why don’t I feel satisfied
why don’t I feel saved
the first stroke
the bold plan
why can’t you explain it to me
then I’d understand
it just keeps going on
any old way
I try to go on strong
but it hasn’t been my day
and if I go along
will I someday say
I understand it now
I’ll leave my mark I guess
Heaven just knows how
You can read an explanation of the origin of these lyrics here
the marks made
why don’t I feel satisfied
why don’t I feel saved
the first stroke
the bold plan
why can’t you explain it to me
then I’d understand
it just keeps going on
any old way
I try to go on strong
but it hasn’t been my day
and if I go along
will I someday say
I understand it now
I’ll leave my mark I guess
Heaven just knows how
You can read an explanation of the origin of these lyrics here
Sunday, October 25, 2009
542 : 10/4/99 : Plank (The Clean Slate 3/3)
Put me down
I’m done I give up
You were right all along
clean the slate
start over with a fresh cup
sounds like some kind of song
clean the slate
but put me down first
let me start it blank
let me start adrift and peaceful
before you force me to walk the plank
You can read an explanation of the origin of these lyrics here
I’m done I give up
You were right all along
clean the slate
start over with a fresh cup
sounds like some kind of song
clean the slate
but put me down first
let me start it blank
let me start adrift and peaceful
before you force me to walk the plank
You can read an explanation of the origin of these lyrics here
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